![]() The film's juxtaposing of cultures is a popular theme with the director, and one he would use again in his next anthology piece, "Night On Earth.If Lisa Marie Presley’s life bears the hallmarks of an American tragedy, a sense of wasted talent and unfulfilled promise, marked by bad relationships, squandered wealth and an aura of ineffable sadness, well, how could it have ever been anything else? As is typical with Jarmusch's work, the action unfolds at a leisurely pace, and not without some humor. All of the night shots were actually filmed at night, and some scenes are subtitled in Japanese and Italian. The town has fallen a bit since its heyday as a musical hotbed, but the spirits of its past can be sensed in the delapidated buildings and landscapes, all lovingly embraced by Jarmusch's lens. The stories are intertwined, with certain events being shown from the perspective of each of the three sets of characters. John Lurie provides the score, along with a fabulous soundtrack of classic Memphis music (from Elvis Presley to the Bar-Kays). R&B great Rufus Thomas appears in the train station, and Tom Waits is the voice of the radio DJ. Continuing his tradition of casting musicians as actors, he enlists Joe Strummer as a British Elvis and the late Screamin' Jay Hawkins as the hotel night clerk. Jim Jarmusch's follow-up to 1986's "Down By Law" is an engrossing trio of stories revolving around one night in a run-down Memphis hotel.
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